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Deceased Estate
Melbourne Fringe Festival 2008

Listing information

Venue: The House, 244 Blyth St, East Brunswick MEL REF: 30 B7, Google Maps
Preview Dates:
Wed 24/09/2008
Season Dates:
Thurs 25/09/2008 - Sat 04/10/2008 (not Mon/Tues) 8pm every session.
Tickets:
Preview $10.00, Conc $15.00, Full $20.00

Contact Will on 0425 737 146 or sense@roundangle.com.au for more details.
Bookings: Festival Tix: 03 9660 9666 or www.melbournefringe.com.au

Watch the life of a fine old period home flash before your eyes as the auctioneer's hammer cracks open this prime inner suburban corner plot.

Make sure you're on the list of those lucky few who'll get a sneak taste of this gourmet slice of real estate before she gets served up to the hungry market. Take a tour through the history-filled grounds and re-live a memory or two…

Click here for more information…

Deceased Estate Image

Captivating Smell

(Arts Victoria, Arts Innovation Project with smell technology company, Air Aroma)
September 2007 – June 2008

This project is a collaboration between the multi-sensory theatre practitioners Roundangle and the company Air Aroma in the project ‘Captivating Smell’ during September 2007 through May 2008. The project will research the psychology of smell and investigate techniques for distributing smells in the performance environment by theatre practitioners.

You can close your eyes, cover your ears, refrain from touch and reject taste, but smell is part of the air we breathe. It’s the one sense you can’t turn off. We smell with every breath we take, and that’s around 20,000 each day. It is also the sense we most take for granted. There’s no cultural activity that caters to it – no sniffing galleries, no concertos written to surround us with odour, no special menu of smells created for grand occasions and yet… it is the most direct and basic sense.

“Brand Sense” Martin Lindstrom p.21, Free Press, New York 2005

Tales From the Scent Latched Suitcases

(for Melbourne Fringe Festival )
July – October 2008

Tales from the Scent Latched Suitcases is an investigation of smell as a portal between our inner and outer worlds. Smell is the most ephemeral – and thus ‘magical’ – of the senses. In our meditation on the nature of smell we wish to explore its transdimensional, unfathomable powers at linking us to our past through an investigation of smell and memory with our characters Henry, Lily and Rosemary.

Other Smells

(in partnership with Gippsland Multicultural Services)
July – Dec 2008

Other Smells is an investigation into smell and cultural perception. Roundangle proposes to work with people who have migrated to the Latrobe Valley region from culturally diverse backgrounds, both those that have recently arrived and those who have been settled for many years. We aim to explore through the stories and insights of participants how smell is interpreted in different cultures and how the smell of people from other cultures is perceived. Roundangle will facilitate the expression of their ideas through scent, food, colour, sound and movement. The public outcome will be an interactive, promenade style performance that takes the audience on a journey through the cultural, mental and experiential worlds of the participants, highlighting the important role smell plays in defining identity and acceptance.

For people could close their eyes to greatness, to horrors, to beauty and their ears to melodies or deceiving words. But they could not escape scent. For scent was a brother of breath. Together with breath it entered human beings, who could not defend themselves against it, not if they wanted to live. And scent entered into their very core, went directly to their hearts and decided for good and all between affection and contempt, disgust and lust, love and hate. He who ruled scent ruled the hearts of men. “Perfume”

Patrick Suskind p.161, Penguin Books Australia 2003

Source/Sauce

‘Source/Sauce’ is a dreamlike epic journey which the audience moves through as protagonist. As the space around them morphs from the recognizable to the abstract, the bustling to the still, and their sight is taken from them and restored, those who go on the journey are constantly challenged and invited to engage in the deeper possibilities of the performative space. The journey is a process of death and rebirth and the audience emerges from the performance enlivened by new sensory perceptions.
‘Source/Sauce’ received many awards at the 2006 Melbourne Fringe Festival: The Visionary Award, The Go Full Tilt Award, The Melbourne International Arts Festival Award (to Sound Artists – Madeleine Flynn and Tim Humphrey) and a highly commended for the Abbotsford Convent Award. It was devised by a team of deaf, deafblind and fully sensed artists.
Presented in a large, empty hall/theatre with wooden floors and kitchen access.
90+ minutes

‘Innovative', 'transformational' and 'unique' are rarely warranted to describe anything. However, Source-Sauce is all these things.
Alan Lee - Composer

Sensory Performance theatre
 
   

Beyond Sheep

Come and join us in the dark for theatre that cannot be seen, only felt, heard and smelt. Sit tight and cozy, and allow your senses to remind you of all the dreams you’ve never had…
For small, contained audiences in a variety of spaces.
15 mins

This kind of theatre is not to be missed.
Tobias Hengeveld - Art Critic

Sensory Performance theatre
   

Potion

Not your average dining experience. Today’s specials include: the pong of power, the whiff of freedom and the stench of sex.  Choose from our menu of smells and hope that the waiter brings what you’ve ordered…
It is an event in itself or an unfolding surprise anywhere.
40+ mins

The whole experience as a participant is fabulously unique.
Marcus Schutenko - Victorian Multicultural Commission

Sensory Performance theatre
   

Resuscitating Memory

Rosemary and Lily are old fashioned ‘cigarette girls’ who have stepped from the golden era, but have no memory. Thus they trade on the memories of others, carrying their collection in a case, blindfolding the willing participant and imparting short, narrated and sensory stories.
Roving characters that can go anywhere, sharing short stories one-on-one for as long as desired.

It was for me a personally touching experience and wonderful in that it was a fleeting and deep one.
Sue Giles – Artistic Director, Polyglot Puppet Theatre

Sensory Performance theatre
   

Lumbricus Olorificus

What lives in Henry’s box? The Great Worm of Smell. Oliver. Recently discovered in the fecund floor of the Amazon, this most ancient of creatures carries all the memories of the planet in his digestive system. How will he respond to your smell? Join Henry for feeding time, as Oliver feeds on your responses to his scented belches.
Roving performance that can go anywhere.

Sensory Performance theatre